Monoculture, a hybrid of poetry, collage, and essay that explores the economic, social, racial, religious, and sexual dimensions of currency in the US, is out now with Unicorn Press.

“Warp/Weft/Word,” a peer-reviewed article on the khipu art of Cecilia Vicuña, was recently published in a special issue of Criticism on critical bibliography.

→ A limited-edition hybrid essay/prose poetry pamphlet, Behind the Poet Reading Their Poem Is a Sign Saying Applause, is out now from Knife Fork Book.

Yes, I am a corpse flower, a book of abstracted lyric poems exploring queer identity under capital, is out now from Knife Fork Book.